Her Letterboxd top fours have appeared on the platform’s Instagram, her mammoth VHS collection was spotlighted by The Guardian, and her writing on recession pop made an appearance on The Polyester Podcast.
Alongside roles in editorial, programming and digital production across leading Australian arts organisations, she has built 5+ years of freelance and agency-side experience in copywriting, content creation, campaign direction and communications strategy. Portfolio highlights include work for Netflix ANZ, FC Barcelona and Victorian Opera.
An alum of the Locarno Critics Academy, Gertrude Contemporary’s Emerging Writers Program, Melbourne International Film Festival’s Critics Campus, and a finalist for the Queensland Young Publishers and Writers Award, she has been described by judges as “a gifted artist” whose writing is “exacting, uncompromising and lyrical.”
Her academic background includes a Bachelor of Art History and Curating from Monash University and a First-Class Honours degree in Screen and Cultural Studies from the University of Melbourne. Her Honours thesis applied Timothy Morton’s hyperobject theory to the films of Harvard University’s Sensory Ethnography Lab, arguing that their sound-led and immersive aesthetics operate as an “art of attunement” to the nonhuman, framing film as a philosophical tool for rethinking ecology, perception and human exceptionalism.
She also teaches English to multinational and multilingual adult learners as a CELTA-qualified educator. This strand of her practice extends her long-standing interest in language, perception and communication, folding pedagogical clarity and cross-cultural understanding into the broader arc of her work.
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